pushing 60 reads a year; i'll try not to cheat

Posts Tagged ‘Filipino fiction

tragic theater by gm coronel

with 21 comments

What’s scarier than angry ghosts? At the Manila Film Center, a group of psychics and mediums found out.

I can’t believe it took me two years to pick up this book from Mt TBR. On the title page, the author’s signature reminded me that I bought Tragic Theater at the Manila Book Fair of 2009.  All I needed was a moment, to decide to pick it up, to flip to the first few pages, to be completely caught in a night of exorcism that took place at the Manila Film Center in 1999.

This iconic structure was notorious since the beginning. Inaugurated in 1982 to a star-studded International Film Festival with then First Lady Imelda Marcos reigning over the event, the structure failed in subsequent years to live up to its promise. Reports of haunting and a series of bad luck followed the building and any activity held there. The government lost money. The first festival, grand as it was, cost more to produce than it made money.

Why was the structure bad luck? Why did security guards regularly hear mysterious voices and sounds of construction work at night? Why did some moviegoers witness ghostly apparitions in the restrooms? Why did government employees feared staying late? Were there poltergeist activities?

Maybe the paranormal cloud was the result of the tragic accident during construction, and ruthless decision that followed it, leaving 150 workers dead?

The tragedy was a matter of public record. On November 17, 1981, at 2.30 am, a scaffolding with six giant beams collapsed and crashed to the main theater area. Officially, there were seven dead. If based on popular belief, the number would be closer to 150. Supposedly, the first lady ordered the halt of rescue operations only after several days so construction will resume. They had a deadline to follow, after all.

Workers were buried alive in cement, their pleas for mercy ignored. Their tortured souls developed a hate for the living.

With this backdrop, Tragic Theater came on stage. The new government wanted to build an Imax Theater inside the structure. But first, ghosts had to be driven out. It fell to Annie, dedicated Tourism official, to make this happen. She requested Reverend Nilo with his radical methods of supernatural cleansing to take on the Manila Film Center.

Big job, but an attractive challenge for ghostbusters, thought the Reverend. That and he cannot say no to Annie delivered him and his group of psychics and mediums to the film center’s doorsteps. What he and Annie did not foresee was that there were more terrifying things inside the structure than angry ghosts, and that their own tragic histories would make them extremely vulnerable to these forces’ influence.

According to the author’s brief bio, his literary background consisted simply of a genuine love of reading and love of writing. His writing shows this, relatively free of literary pretensions, straightforward, making straight for the action. The story reads like the reality-type horror movies so popular now. The prayers and rituals were probably lifted from an exorcist’s manual. In terms of character development, only Annie and Reverend Nilo benefited–which is fine by me as the story did not need the personal histories of the others in the group to progress.

I’m not so sure though about the Tagalog dialogue with English translation on several pages. I think it just ate up space, and I skimmed the Tagalog for the English. No big deal, just noting it here.



Manila Film Center: Haunted by angry ghosts and something else?


In terms of horror, I rate it 3.5 out of 5–until I reached the last chapter and realized things were not as straightforward after all, and goosebumps rose on my arms and the air became decidedly chilly despite the humidity. My rating rose to 4.5, short of perfection only because I wanted to hurl the book on the wall because it won’t, can’t answer my questions: What?! Why?! What was the message?! Who was it?!

Where’s the sequel?!

Photo of Manila Film Center taken from here.

parman by david hontiveros

with 4 comments

Hey, Uno is very similar to the the babaylan-mandirigma (magical warrior) from the graphic short story in Underpass, which featured four urban-fantasy-horror stories. Click here to read that blog post.

For millennia the perfect warrior has been battling the saitans (minions) of Mangilala, the devil-equivalent of a Mindanao-creation myth. While God Magbabaya went up to heaven to get some Divine Skin for his latest creation made out of clay, Mangilala sneaked in and breathed life into the clay.

Magbabaya ended up with a flawed creature, vulnerable to the influence of Mangilala. Essentially, humanity became the Devil’s minions, too.

Magbabaya sounds like magpabaya (negligent), doesn’t it?

To counter his brother’s power, God created The One, the perfect human covered with an armor-like Divine Skin.

Fast forward to the 21st century, Uno remains solitary, hunting enemies, and woefully ignorant of pop culture. A shadow-master is tearing the souls off anyone unfortunate enough to get in his way. Uno gets in touch with allies from the Shadow-Trading world to find out what his enemy’s weaknesses are.

At stake is a bottle of magic water. What it really is I didn’t get. Hyperbole was in the way.

Again, the writer likes to tell instead of show. But given that this is an action story, it wasn’t too bad. But Uno getting his ass kicked, twice, was. The warrior won eventually, but he does need to work on strategic fighting.

“And Creation’s greatest warrior, Magbabaya’s Right Hand, His Fist, His Powerful and Deadly Sword, cannot catch a breath, his whole body aching, his head pounding.”

I’m not a fan of Hontiveros’s writing; metaphors and similes punctuate every other sentence. But he can craft interesting stories that seem to translate better as graphic novels. I really would love to see more sequels of Parman. The devil character is very interesting, with a complexity of character that would nicely flesh out if developed further. A lonely little boy at heart wanting a brother’s love.

Uno as a character is more enigmatic. Is he that loyal to his Creator? Doesn’t he ever doubt?

Mostly set in the Philippines, drawing heavily on Mindanao and Taosug mythology, this story for me is the most promising of the three Hontivero novellas reviewed here.


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